Bispham Memorial Medal
David Scull Bispham (January 5, 1857 – October 2, 1921) was an American operatic baritone who was a strong advocate for the performance of classical vocal music in the language of the audience. His support of opera sung in English led to the formation of the Bispham Memorial Fund, Inc. after his death. Eleanor Everest Freer and Edith Rockefeller McCormick (from the Opera in Our Language Foundation) were instrumental in creating the David Bispham Memorial Fund, incorporated in March 1922. It was endowed, in part, through David Bispham’s will, and in part by Eleanor Everest Freer.
The Bispham Memorial Fund’s purpose was to support opera in English, written by United States composers and often on American subjects, by awarding the Bispham Memorial Medal. This award was presented by the American Opera Society of Chicago. The first Medal was awarded in 1924 to Ernest T. Carter for his opera, The White Bird. The last Medal for an opera was awarded around 1953 to Vittorio Giannini for The Taming of the Shrew.
The Bispham Medal was awarded to the following composers for their operas as noted here. These awardees are listed alphabetically by composer.
Bispham Medal Recipients 1924 – 1954
George Antheil & John Erksine - Helen Retires
Ernst Bacon - A Tree on the Plains
Alberto Bimboni - Winona
J. Lewis Browne - The Corsican Girl (La Corsicana)
Simon Bucharoff - Sakahra
Charles Wakefield Cadman - Shanewis
Charles Frederick Carlson - Phelias
Ernest T. Carter - The White Bird
Rossetter Cole - The Maypole Lovers
Edward Collins - Daughters of the South
Frederick S. Converse - The Pipe of Desire
Walter Damrosch - Cyrano de Bergerac
Francesco De Leone - Alglala
Henry Purmort Eames - Priscilla and John Alden
Peter J. Engels - Minnehaha
Ralph Errole - Prince Elmar
Pietro Floridia - Paoletta
Hamilton Forrest - Yzdra
Aldo Franchetti - Namiko-San
Eleanor Everest Freer - Legend of the Piper
George Gershwin - Porgy and Bess
Vittorio Giannini - The Taming of the Shrew
Louis Gruenberg - The Emperor Jones
Henry Hadley - Azora
Richard Hageman - Tragedy in Arezzo (Caponsacchi)
Howard Hanson - Merry Mount
W. Franke Harling - A Light from St. Agnes
S. W. Harwill - Bella Donna
Victor Herbert - Natoma and Madeleine
John Adam Hugo - The Temple Dancer
Frederick Jacobi - The Prodigal Son
Wesley La Violette - Shylock
William Lester - Manabozo
Clarence Loomis - Yolanda of Cyprus
Otto Luening - Evangeline
Ralph Lyford - Castle Agrazant
Quinto Maganini - The Argonauts
William McCoy - Egypt
Gian Carlo Menotti - The Medium and The Telephone
Douglas Moore - The Devil and Daniel Webster
Mary Carr Moore - “Narcissa,” or The Cost of Empire
Marx E. Oberndorfer - Roseanne
Julius Osiier - The Bride of Baghdad
Frank Patterson - The Echo
P. Marinus Paulsen - The Cimbrians
Bernard Rogers - The Marriage of Aude
Beryl Rubinstein - The Sleeping Princess
Karl Schmidt - Lady of the Lake
John L. Seymour - In the Pasha's Garden
Charles S. Skilton - Kalopin
Theodore Stearns - The Snow Bird
Humphrey J. Stewart - The Hound of Heaven
Albert Stoessel - Garrick
Deems Taylor - The King's Henchman
Virgil Thomson - Four Saints in Three Acts
Jane Van Etten (Andrews) - Guido Ferranti
Isaac Van Grove - The Music Robber
Kurt Weill - Down in the Valley
Clarence Cameron White - Ouanga!
In addition, the American Opera Society awarded the following Bispham Medals:
T. Carl Whitmer - selection of religious operas
Jean Martinon - distinguished composer and conductor
Sir Michael Tippet - distinguished composer and conductor
Alan Stout - distinguished American composer
Lyric Theatre - Lord Byron’s Love Letter stage sets
Lyric Theatre - Lyric scholarship fund